'Stillness in the Midst of Chaos: A Conversation with Masaomi Yasunaga' - Sculpture Magazine
'Christian Jankowoski, at home in Berlin' - The Financial Times
'A brush with... John Akomfrah' - The Art Newspaper
'Masaomi Yasunaga: Looking Afar / 遠くを見る' reviewed in The Brooklyn Rail
Frieze Magazine Profiles Garrett Bradley
'In London, a Spotlight on the Dreamlike Vision of Artist Olga de Amaral' - Vogue
'Talking Trash: Digging the Dirt with Marina Abramović' – Elephant magazine
Ai Weiwei’s La Commedia Umana, a tribute to ‘ultimate freedom’ - The Financial Times
Profile of Anish Kapoor in The New Yorker
'Antonio Calderara: From Lake Orta' review - Studio International
'The odds are good, the goods are odd' featured in The Art Newspaper
'In the studio with Christopher Le Brun' - Apollo Magazine
'Hugh Hayden and Daniel S. Palmer in Conversation on Black Atlantic' - Sculpture Magazine
'Sean Scully, Painter Poet by Donald Kuspit' - Sean Scully's retrospective at the Philadelphia Museum of Art reviewed in Whitehot Magazine
Bernard Piffaretti in conversation with Raphael Rubinstein in The Brooklyn Rail
Sean Scully retrospective at The Philadelphia Museum of Art reviewed in The Washington Post
Artist Lee Ufan: ‘I wanted to start a conversation between the living and the dead’ - The Financial Times
‘Leon Polk Smith: 1945-1962’ Review: The Shape of Abstraction - WSJ
Recent reviews of 'Stanley Whitney: The Italian Paintings' at Palazzo Tiepolo Passi, Venice
Reviews of Anish Kapoor's dual exhibition at the Gallerie dell'Accademia and Palazzo Manfrin, Venice
'Artist Stanley Whitney’s Triumphant Return': WSJ Magazine
Ryan Gander’s dolos opens a sculpture trail for the Yorkshire coast – The Guardian
Remembering Dan Graham
Meet Hugh Hayden’s Lurking 'Boogey Man' - Interview Magazine
Marina Abramović featured on the cover of Elephant's Spring Summer 2022 issue
Benjamin H. D. Buchloh remembers Lawrence Weiner in Artforum
Christopher Le Brun and his son, Edmund, champion Afghan weavers: The Financial Times
Kapoor "has made his mark across the world. Now he’s about to leave a lasting impression on Venice."
Read reviews of 'Ai Weiwei: The Liberty of Doubt' at Kettle's Yard Cambridge
Remembering Carmen Herrera
