I be... (lxxv), 2024 is the latest piece from an ongoing series of gold, stately, antique mirrors that are partially covered with marble resin casts of draped dust sheets.With reflections obscured from view, the works’ impenetrability frustrates the gaze of viewers, starkly revealing the barriers inherent to self-realisation.This series continues the artist’s interest in historical and contemporary ideas and influences colliding within a single object; from the stylistic reference to ancient Greek and Roman sculptures, to the unveiled narcissism of the ‘selfie’ age.

I be... (lxxv), 2024 is the latest piece from an ongoing series of gold, stately, antique mirrors that are partially covered with marble resin casts of draped dust sheets.With reflections obscured from view, the works’ impenetrability frustrates the gaze of viewers, starkly revealing the barriers inherent to self-realisation.This series continues the artist’s interest in historical and contemporary ideas and influences colliding within a single object; from the stylistic reference to ancient Greek and Roman sculptures, to the unveiled narcissism of the ‘selfie’ age.

I be... (lxxv), 2024 is the latest piece from an ongoing series of gold, stately, antique mirrors that are partially covered with marble resin casts of draped dust sheets.With reflections obscured from view, the works’ impenetrability frustrates the gaze of viewers, starkly revealing the barriers inherent to self-realisation.This series continues the artist’s interest in historical and contemporary ideas and influences colliding within a single object; from the stylistic reference to ancient Greek and Roman sculptures, to the unveiled narcissism of the ‘selfie’ age.

I be... (lxxv), 2024 is the latest piece from an ongoing series of gold, stately, antique mirrors that are partially covered with marble resin casts of draped dust sheets.With reflections obscured from view, the works’ impenetrability frustrates the gaze of viewers, starkly revealing the barriers inherent to self-realisation.This series continues the artist’s interest in historical and contemporary ideas and influences colliding within a single object; from the stylistic reference to ancient Greek and Roman sculptures, to the unveiled narcissism of the ‘selfie’ age.