![CRAG200004-1 artwork](https://lisson-art.s3.amazonaws.com/uploads/attachment/image/body/29251/CRAG200004_008.jpg)
Tony Cragg
In Frequencies, 2020
Bronze
43 x 26 x 36 cm
16 7/8 x 10 1/4 x 14 1/8 in
ed. 1 of 6
The sculpture In Frequencies is a good example of how the human head can be transformed within Cragg’s work. Profiles are pulled and stretched horizontally. They are also pulled into one another, turning a single head into a collective collision of heads. In Frequencies is not a portrait, rather the portrayal of collective thinking, a configuration and a zeitgeist. Cragg is often interested in group formations and figurations – heads and bodies interwoven, as one form is extended into another. This sculpture highlights this, while also giving us an image of human thought as a landscape. As Cragg has stated: ‘I am interested in expressing thoughts as topographies.’
Jon Wood, 'Tony Cragg: 21st Century Sculptor,' 2021
![CRAG200004-1 artwork](https://lisson-art.s3.amazonaws.com/uploads/attachment/image/body/29252/CRAG200004_001.jpg)
Tony Cragg
In Frequencies, 2020
Bronze
43 x 26 x 36 cm
16 7/8 x 10 1/4 x 14 1/8 in
ed. 1 of 6
The sculpture In Frequencies is a good example of how the human head can be transformed within Cragg’s work. Profiles are pulled and stretched horizontally. They are also pulled into one another, turning a single head into a collective collision of heads. In Frequencies is not a portrait, rather the portrayal of collective thinking, a configuration and a zeitgeist. Cragg is often interested in group formations and figurations – heads and bodies interwoven, as one form is extended into another. This sculpture highlights this, while also giving us an image of human thought as a landscape. As Cragg has stated: ‘I am interested in expressing thoughts as topographies.’
Jon Wood, 'Tony Cragg: 21st Century Sculptor,' 2021
![CRAG200004-1 artwork](https://lisson-art.s3.amazonaws.com/uploads/attachment/image/body/29253/CRAG200004_002.jpg)
Tony Cragg
In Frequencies, 2020
Bronze
43 x 26 x 36 cm
16 7/8 x 10 1/4 x 14 1/8 in
ed. 1 of 6
The sculpture In Frequencies is a good example of how the human head can be transformed within Cragg’s work. Profiles are pulled and stretched horizontally. They are also pulled into one another, turning a single head into a collective collision of heads. In Frequencies is not a portrait, rather the portrayal of collective thinking, a configuration and a zeitgeist. Cragg is often interested in group formations and figurations – heads and bodies interwoven, as one form is extended into another. This sculpture highlights this, while also giving us an image of human thought as a landscape. As Cragg has stated: ‘I am interested in expressing thoughts as topographies.’
Jon Wood, 'Tony Cragg: 21st Century Sculptor,' 2021
![CRAG200004-1 artwork](https://lisson-art.s3.amazonaws.com/uploads/attachment/image/body/29254/CRAG200004_003.jpg)
Tony Cragg
In Frequencies, 2020
Bronze
43 x 26 x 36 cm
16 7/8 x 10 1/4 x 14 1/8 in
ed. 1 of 6
The sculpture In Frequencies is a good example of how the human head can be transformed within Cragg’s work. Profiles are pulled and stretched horizontally. They are also pulled into one another, turning a single head into a collective collision of heads. In Frequencies is not a portrait, rather the portrayal of collective thinking, a configuration and a zeitgeist. Cragg is often interested in group formations and figurations – heads and bodies interwoven, as one form is extended into another. This sculpture highlights this, while also giving us an image of human thought as a landscape. As Cragg has stated: ‘I am interested in expressing thoughts as topographies.’
Jon Wood, 'Tony Cragg: 21st Century Sculptor,' 2021
![CRAG200004-1 artwork](https://lisson-art.s3.amazonaws.com/uploads/attachment/image/body/29255/CRAG200004_004.jpg)
Tony Cragg
In Frequencies, 2020
Bronze
43 x 26 x 36 cm
16 7/8 x 10 1/4 x 14 1/8 in
ed. 1 of 6
The sculpture In Frequencies is a good example of how the human head can be transformed within Cragg’s work. Profiles are pulled and stretched horizontally. They are also pulled into one another, turning a single head into a collective collision of heads. In Frequencies is not a portrait, rather the portrayal of collective thinking, a configuration and a zeitgeist. Cragg is often interested in group formations and figurations – heads and bodies interwoven, as one form is extended into another. This sculpture highlights this, while also giving us an image of human thought as a landscape. As Cragg has stated: ‘I am interested in expressing thoughts as topographies.’
Jon Wood, 'Tony Cragg: 21st Century Sculptor,' 2021
![CRAG200004-1 artwork](https://lisson-art.s3.amazonaws.com/uploads/attachment/image/body/29256/CRAG200004_007.jpg)
Tony Cragg
In Frequencies, 2020
Bronze
43 x 26 x 36 cm
16 7/8 x 10 1/4 x 14 1/8 in
ed. 1 of 6
The sculpture In Frequencies is a good example of how the human head can be transformed within Cragg’s work. Profiles are pulled and stretched horizontally. They are also pulled into one another, turning a single head into a collective collision of heads. In Frequencies is not a portrait, rather the portrayal of collective thinking, a configuration and a zeitgeist. Cragg is often interested in group formations and figurations – heads and bodies interwoven, as one form is extended into another. This sculpture highlights this, while also giving us an image of human thought as a landscape. As Cragg has stated: ‘I am interested in expressing thoughts as topographies.’
Jon Wood, 'Tony Cragg: 21st Century Sculptor,' 2021
![CRAG200004-1 artwork](https://lisson-art.s3.amazonaws.com/uploads/attachment/image/body/29257/CRAG200004_008.jpg)
Tony Cragg
In Frequencies, 2020
Bronze
43 x 26 x 36 cm
16 7/8 x 10 1/4 x 14 1/8 in
ed. 1 of 6
The sculpture In Frequencies is a good example of how the human head can be transformed within Cragg’s work. Profiles are pulled and stretched horizontally. They are also pulled into one another, turning a single head into a collective collision of heads. In Frequencies is not a portrait, rather the portrayal of collective thinking, a configuration and a zeitgeist. Cragg is often interested in group formations and figurations – heads and bodies interwoven, as one form is extended into another. This sculpture highlights this, while also giving us an image of human thought as a landscape. As Cragg has stated: ‘I am interested in expressing thoughts as topographies.’
Jon Wood, 'Tony Cragg: 21st Century Sculptor,' 2021
![CRAG200004-1 artwork](https://lisson-art.s3.amazonaws.com/uploads/attachment/image/body/29258/CRAG200004_001.jpg)
Tony Cragg
In Frequencies, 2020
Bronze
43 x 26 x 36 cm
16 7/8 x 10 1/4 x 14 1/8 in
ed. 1 of 6
The sculpture In Frequencies is a good example of how the human head can be transformed within Cragg’s work. Profiles are pulled and stretched horizontally. They are also pulled into one another, turning a single head into a collective collision of heads. In Frequencies is not a portrait, rather the portrayal of collective thinking, a configuration and a zeitgeist. Cragg is often interested in group formations and figurations – heads and bodies interwoven, as one form is extended into another. This sculpture highlights this, while also giving us an image of human thought as a landscape. As Cragg has stated: ‘I am interested in expressing thoughts as topographies.’
Jon Wood, 'Tony Cragg: 21st Century Sculptor,' 2021
![CRAG200004-1 artwork](https://lisson-art.s3.amazonaws.com/uploads/attachment/image/body/29259/CRAG200004_002.jpg)
Tony Cragg
In Frequencies, 2020
Bronze
43 x 26 x 36 cm
16 7/8 x 10 1/4 x 14 1/8 in
ed. 1 of 6
The sculpture In Frequencies is a good example of how the human head can be transformed within Cragg’s work. Profiles are pulled and stretched horizontally. They are also pulled into one another, turning a single head into a collective collision of heads. In Frequencies is not a portrait, rather the portrayal of collective thinking, a configuration and a zeitgeist. Cragg is often interested in group formations and figurations – heads and bodies interwoven, as one form is extended into another. This sculpture highlights this, while also giving us an image of human thought as a landscape. As Cragg has stated: ‘I am interested in expressing thoughts as topographies.’
Jon Wood, 'Tony Cragg: 21st Century Sculptor,' 2021
![CRAG200004-1 artwork](https://lisson-art.s3.amazonaws.com/uploads/attachment/image/body/29260/CRAG200004_003.jpg)
Tony Cragg
In Frequencies, 2020
Bronze
43 x 26 x 36 cm
16 7/8 x 10 1/4 x 14 1/8 in
ed. 1 of 6
The sculpture In Frequencies is a good example of how the human head can be transformed within Cragg’s work. Profiles are pulled and stretched horizontally. They are also pulled into one another, turning a single head into a collective collision of heads. In Frequencies is not a portrait, rather the portrayal of collective thinking, a configuration and a zeitgeist. Cragg is often interested in group formations and figurations – heads and bodies interwoven, as one form is extended into another. This sculpture highlights this, while also giving us an image of human thought as a landscape. As Cragg has stated: ‘I am interested in expressing thoughts as topographies.’
Jon Wood, 'Tony Cragg: 21st Century Sculptor,' 2021
![CRAG200004-1 artwork](https://lisson-art.s3.amazonaws.com/uploads/attachment/image/body/29261/CRAG200004_004.jpg)
Tony Cragg
In Frequencies, 2020
Bronze
43 x 26 x 36 cm
16 7/8 x 10 1/4 x 14 1/8 in
ed. 1 of 6
The sculpture In Frequencies is a good example of how the human head can be transformed within Cragg’s work. Profiles are pulled and stretched horizontally. They are also pulled into one another, turning a single head into a collective collision of heads. In Frequencies is not a portrait, rather the portrayal of collective thinking, a configuration and a zeitgeist. Cragg is often interested in group formations and figurations – heads and bodies interwoven, as one form is extended into another. This sculpture highlights this, while also giving us an image of human thought as a landscape. As Cragg has stated: ‘I am interested in expressing thoughts as topographies.’
Jon Wood, 'Tony Cragg: 21st Century Sculptor,' 2021
![CRAG200004-1 artwork](https://lisson-art.s3.amazonaws.com/uploads/attachment/image/body/29262/CRAG200004_007.jpg)
Tony Cragg
In Frequencies, 2020
Bronze
43 x 26 x 36 cm
16 7/8 x 10 1/4 x 14 1/8 in
ed. 1 of 6
The sculpture In Frequencies is a good example of how the human head can be transformed within Cragg’s work. Profiles are pulled and stretched horizontally. They are also pulled into one another, turning a single head into a collective collision of heads. In Frequencies is not a portrait, rather the portrayal of collective thinking, a configuration and a zeitgeist. Cragg is often interested in group formations and figurations – heads and bodies interwoven, as one form is extended into another. This sculpture highlights this, while also giving us an image of human thought as a landscape. As Cragg has stated: ‘I am interested in expressing thoughts as topographies.’
Jon Wood, 'Tony Cragg: 21st Century Sculptor,' 2021