Collateral Event of the 55. International Art
Exhibition – la Biennale di
Venezia
“I set out to capture my own breath, to find the essence of my own
experience, transcending name, nationality, cultures.”
Read moreShirazeh Houshiary
For her presentation as a Collateral
Event of the 55. International Art Exhibition of la Biennale di Venezia, Shirazeh
Houshiary will present Breath: a four
channel video that was first conceived in 2003, in a remastered version and as
part of a unique, site-specific installation.
In Breath
(2013), the evocative chants of Buddhist, Christian, Jewish and Islamic prayers
emanate from four video screens. The sound is choreographed with images that
capture the expanding and contracting breath of the vocalists. The installation
takes the form of a rectangular enclosure clad in black felt, which is entered
through a narrow passage that leads to a dimly lit white interior. There are
four screens hung at eye level from which the chants of the different
traditions rise and fall, swell and dissipate in a haunting chorus that fills
the room and permeates beyond each of its walls. Where inside there is unity,
outside is multiplicity.
The location for Houshiary’s dramatic
rendering of Breath is Torre di Porta
Nuova, a tower built during the restoration of the Arsenale that took place
between 1809 and 1814. Erected adjacent to what was a newly opened gateway on
the Arsenale’s Eastern wall, and close to 35 metres in height, the imposing
tower was built to enable the mechanical placement of masts on large ships.
Inspired by the history, location and
scale of the Torre, Houshiary envisioned a structure – an enclosure swathed in
heavy cloth, its presence constituted by an act of veiling – in which to house
the animation. The structure will appear as a haunting presence within the
Tower’s vaulted interior, acting to both capture and coalesce the disparate
invocations of the vocalists, and also to isolate and extract them: projecting
the sounds into the wider space. Houshiary has reconceived the work so that it
inhabits and transforms the Tower, and at the same time, asks that the work be
shaped by the specificity of the space: a Tower that is the gateway to the
Arsenale, a boundary and a threshold.