His first word sculptures, composed of discarded signage letters removed from their intended context, were found on the streets of New York's East Village and introduced a multiplicity of meaning into Pierson’s practice. They question what is staged and what is casual, a theme that is unquestionably his own, in which material, object, subject, fragment and life all coalesce. Pierson’s word sculptures often explore themes of longing, memory, and the human condition.

His first word sculptures, composed of discarded signage letters removed from their intended context, were found on the streets of New York's East Village and introduced a multiplicity of meaning into Pierson’s practice. They question what is staged and what is casual, a theme that is unquestionably his own, in which material, object, subject, fragment and life all coalesce. Pierson’s word sculptures often explore themes of longing, memory, and the human condition.

His first word sculptures, composed of discarded signage letters removed from their intended context, were found on the streets of New York's East Village and introduced a multiplicity of meaning into Pierson’s practice. They question what is staged and what is casual, a theme that is unquestionably his own, in which material, object, subject, fragment and life all coalesce. Pierson’s word sculptures often explore themes of longing, memory, and the human condition.

His first word sculptures, composed of discarded signage letters removed from their intended context, were found on the streets of New York's East Village and introduced a multiplicity of meaning into Pierson’s practice. They question what is staged and what is casual, a theme that is unquestionably his own, in which material, object, subject, fragment and life all coalesce. Pierson’s word sculptures often explore themes of longing, memory, and the human condition.