Jack Pierson employs photography, collage, sculptural assemblage and installation in pursuit of love, longing, kinship, poetry, celebration, youth, fantasy and identity. The artist’s mode of non-hierarchical cultural compilation and a process of impulse-led editing allows Pierson to create personal and universal narratives across his multidisciplinary practice. Emerging from the 1980s milieu of the Boston School of documentarian photographers, Pierson was instead drawn into a world of gendered, punk-influenced performativity, and was greatly influenced by the more tactile work of his friend, Mark Morrisroe. 

Jack Pierson employs photography, collage, sculptural assemblage and installation in pursuit of love, longing, kinship, poetry, celebration, youth, fantasy and identity. The artist’s mode of non-hierarchical cultural compilation and a process of impulse-led editing allows Pierson to create personal and universal narratives across his multidisciplinary practice. Emerging from the 1980s milieu of the Boston School of documentarian photographers, Pierson was instead drawn into a world of gendered, punk-influenced performativity, and was greatly influenced by the more tactile work of his friend, Mark Morrisroe. 

Jack Pierson employs photography, collage, sculptural assemblage and installation in pursuit of love, longing, kinship, poetry, celebration, youth, fantasy and identity. The artist’s mode of non-hierarchical cultural compilation and a process of impulse-led editing allows Pierson to create personal and universal narratives across his multidisciplinary practice. Emerging from the 1980s milieu of the Boston School of documentarian photographers, Pierson was instead drawn into a world of gendered, punk-influenced performativity, and was greatly influenced by the more tactile work of his friend, Mark Morrisroe. 

Jack Pierson employs photography, collage, sculptural assemblage and installation in pursuit of love, longing, kinship, poetry, celebration, youth, fantasy and identity. The artist’s mode of non-hierarchical cultural compilation and a process of impulse-led editing allows Pierson to create personal and universal narratives across his multidisciplinary practice. Emerging from the 1980s milieu of the Boston School of documentarian photographers, Pierson was instead drawn into a world of gendered, punk-influenced performativity, and was greatly influenced by the more tactile work of his friend, Mark Morrisroe.