The Lumina work features a painted surface collaged with clear resin objects. This three-dimensional frosted surface is installed atop one large screen, fitted to the same dimensions, which plays an abstracted video beneath the surface. The video is designed with predetermined colors that shift beneath the clear resin, activating the surface with surreal and playful motion. According to Oursler, “The lumina exist as a transitional plane between physical space and light as a means of exploring the current moment where people divide their time evenly between the virtual and real. The pieces are informed by the object’s loss of primacy and the possibilities of virtual coexistence.”

The Lumina work features a painted surface collaged with clear resin objects. This three-dimensional frosted surface is installed atop one large screen, fitted to the same dimensions, which plays an abstracted video beneath the surface. The video is designed with predetermined colors that shift beneath the clear resin, activating the surface with surreal and playful motion. According to Oursler, “The lumina exist as a transitional plane between physical space and light as a means of exploring the current moment where people divide their time evenly between the virtual and real. The pieces are informed by the object’s loss of primacy and the possibilities of virtual coexistence.”

The Lumina work features a painted surface collaged with clear resin objects. This three-dimensional frosted surface is installed atop one large screen, fitted to the same dimensions, which plays an abstracted video beneath the surface. The video is designed with predetermined colors that shift beneath the clear resin, activating the surface with surreal and playful motion. According to Oursler, “The lumina exist as a transitional plane between physical space and light as a means of exploring the current moment where people divide their time evenly between the virtual and real. The pieces are informed by the object’s loss of primacy and the possibilities of virtual coexistence.”

The Lumina work features a painted surface collaged with clear resin objects. This three-dimensional frosted surface is installed atop one large screen, fitted to the same dimensions, which plays an abstracted video beneath the surface. The video is designed with predetermined colors that shift beneath the clear resin, activating the surface with surreal and playful motion. According to Oursler, “The lumina exist as a transitional plane between physical space and light as a means of exploring the current moment where people divide their time evenly between the virtual and real. The pieces are informed by the object’s loss of primacy and the possibilities of virtual coexistence.”