Lee Ufan
Painter, sculptor, writer and philosopher Lee Ufan came to prominence in the late 1960s as one of the major theoretical and practical proponents of the avant-garde Mono-ha (Object School) group. The Mono-ha school of thought was Japan’s first contemporary art movement to gain international recognition. It rejected Western notions of representation, focusing on the relationships of materials and perceptions rather than on expression or intervention.The artists of Mono-ha present works made of raw physical materials that have barely been manipulated. In 1991 Lee Ufan began his series of Correspondance paintings, which consist of just one or two grey-blue brushstrokes, made of a mixture of oil and crushed stone pigment, applied onto a large white surface. His sculptural series Relatum is equally minimal: each work is comprised of one or more light-colored round stones and dark, rectangular iron plates. The dialectical relationship between brushstroke and canvas is mimicked in the relationship between stone and iron plate. In Ufan’s installations space is at the same time untouched and engaged, at the confines between doing and non-doing. The relationship between painted / unpainted and occupied / empty space lies at the heart of Lee Ufan’s practice.
Lee Ufan was born on June 24th, 1936, in Kyongnam, South Korea. He studied calligraphy, poetry and painting at the College of Kyongnam and the University of Seoul. His work has been shown at Dia Beacon, Beacon, USA (long term view); National Art Center, Tokyo, Japan (2022); Hirshhorn Museum and Sculpture Park, Washington, USA (2019-2020); Pompidou Metz, Metz, France (2019); Serpentine Galleries, London, UK (2018); Couvent de la Tourette, Eveux, France (2017); Centre de Création Contemporaine Olivier Debré, Tours, France (2017); Château La Coste, Le Puy-Sainte-Réparade, France (2016); Palace of Versailles, Versailles, France (2014); Guggenheim Museum, New York, NY, USA (2011), Royal Museums of Fine Arts of Belgium, Brussels, Belgium (2009); the Yokohama Museum of Art, Yokohama, Japan (2005); the Musée d’Art Moderne de Saint-Etienne Métropole, Rhône-Alpes, France (2005); the Samsung Museum of Modern Art, Seoul, South Korea (2003); Kunstmuseum Bonn, Germany (2001); the Galerie Nationale du Jeu de Paume, Paris, France (1997); and the National Museum of Contemporary Art, Seoul, South Korea (1994). He was awarded the Praemium Imperiale for painting in 2001 and the UNESCO Prize in 2000. In 2010 the Lee Ufan Museum, designed by Tadao Ando, opened at Benesse Art Site, Naoshima, Japan.
Recent, current and forthcoming projects
‘Lee Ufan’, Hamburger Bahnhof Berlin (27 October 2023 - 1 March 2024)
'Lee Ufan', Rijksmuseum Gardens, Amsterdam, Netherlands (28 May - 27 October 2024)
Museum Exhibitions
Exhibitions
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Lee Ufan: Response
16 November 2021 – 22 January 2022
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Selected Works
16 February – 24 April 2021
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Selected works in London
8 December 2020 – 12 January 2021
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Horizon
6 October – 31 October 2020
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Lee Ufan
25 March – 9 May 2015
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Lee Ufan: New Work
2 April – 10 May 2008
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Lee Ufan: Correspondence
21 January – 28 February 2004
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Lee Ufan
18 October – 16 November 1996